The fine cut went a lot better than the rough cut, however seeing as this is the final meeting before hand in, both Sam Creamer and Helen Curston had more to say, both positive and negative.
Visuals
Visually, they were both impressed. This was Helen's first time seeing my adaptation so she had a lot to say going forward. Once again the shots were noticeably well done. However it was the sequencing that needed a bit of a change, and if possible the addition of one or two new shots. There were moments in the pub scene that could have been rearranged without changing the shots and a view out to the sea needed adding in if possible in place of the short pause towards the end.
Sound
Again it was noticeable that some of the sound was not as good as it could have been, though not terrible. As for the archive sounds, Helen picked up on the differences in sound to image, at one point the old man is seen walking down the high street and in the background you can hear birds as well as other ambient sounds that you would expect to hear in a field or a garden, it didn't match up to the semi-urban location that was placed on the screen. Instead it was recommended that I change the sound to traffic and other ambient sounds from a typical town such as Sheerness
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